Laura Clifford Robin Clifford
Novelist Joe Thierrian (Alan Cumming, "Josie and the Pussycats") has
recently returned home to repair his marriage to actress Sally Nash (Jennifer
Jason Leigh). They've decided to use the occasion of their sixth wedding
anniversary to open their home to friends to celebrate their reunion, their
decision to start a family and Joe's triumphant bid to direct the movie
adaptation of his latest novel. But the addition of some outsiders, one
bearing ecstacy, wrecks havoc on "The Anniversary Party."
We know we're getting an 'insider' look at Hollywood Industry players
as the film begins with Joe and Sally taking instruction from a personal
trainer as their housekeeper and cook race around preparing for their
party. They seem happy, but cracks begin to appear even before their
guest begin to arrive. It seems Joe's insensitively invited stranger Skye
Davidson (Gwyneth Paltrow), a twentyish superstar who will play the lead in his
new movie - a role everyone knows he based on Sally.
The first arrivals are their business managers Jerry and Judy Adams (John
Benjamin Hickey, "The Bone Collector;" Parker Posey), who have insisted they
also invite their potentially litigious neighbors. Sally's current
director Mac (John C. Reilly, "The Perfect Storm") and his neurotic actress
wife Clair (Jane Adams, "Happiness") are followed in quick succession by
Sally's costar Cal (Kevin Kline), his wife Sophia (Kline's real life wife
Phoebe Cates) and their two kids, those neighbors Monica (Mina Badie,
"Georgia") and Ryan Rose (Denis O'Hare, "Sweet and Lowdown"), Sally's
best friend Panes (Michael Panes) and Joe's old girlfriend Gina (Jennifer
The beginning of the film is a treat as we watch these actors stretch,
creating all kinds of odd dynamics. Jane Adams throws caution to the
winds as a self-absorbed new mother. 'Having a baby changes everything -
you can't be the center of your own world anymore,' she observes amidst
her non-stop chatter about having to lose weight (she's stick thin),
her concern over a new baby sitter (promptly forgotten) and demands
for a change of clothes so as not to carry pet dander home to her allergic
child (she choses her hostess's high priced couture evening wear).
Down-to-earth mother Sophia watches all this in amazement (Cates is the
only member of this gathering who seems to be normal - presumably she's
simply playing herself - a retired actress married to a star. When Sophia
says she's glad she got out of the business, the lines between reality and
fantasy are blurred, but we're glad her old chum Leigh (they costarred in
"Fast Times at Ridgemont High") got her back in front of the camera for this
Mina Badie is a delight as the unfamous neighbor invited to play with
the Hollywood elite. She wants to fit in with a group who've all been
predisposed to regard her as a joke. Denis O'Hare is a bit strident as
her husband, who passes up no opportunity to harp on the barking of Joe's
dog. Badie lets us in on his real problem, though - jealousy - when she
cracks that all he needs is a good review (he's another writer).
Skye Davidson's arrival is comical. Presented with her golden locks gently
fanning about her, Paltrow is excellent goosing her own persona. 'I think
you're my first goddess' gushes Joe.
Leigh becomes warier as the evening progresses. First she must deal with the
ego-blow of her friends discovering that an actress 10 years younger than she
has gotten her own husband's starring role. Then she overhears Mac harshly
criticizing her current performance. Joe's too comfortable with Gina, then
is caught kissing the neighbor. Leigh, with her baby teeth and bruised eyes
adding to her vulnerability, has simply never been better.
The same can't be said for Alan Cumming who trots out the fey, androgynous
routine that's become his single acting note. Cumming needs to lose the
camp and get back to acting.
As writers, Leigh and Cumming haven't covered any new ground here. One
suspects that their friends have helped fashion some of the witty dialogue
that's tossed around. The story resembles a larger ensemble of "Who's
Afraid of Virginia Woolf?," another tale of a substance soaked evening
bringing out the worst in a childless couple. Their reliance on drugs
to pitch their party into higher gear just loosens the weave of their
fabric. The writer/director/stars' own big confrontation scene, is,
ironically, the least believable, most cliched of the entire film.
Veteran cinematographer John Bailey's first shot at digital video results
in crisp images. The glass Neutra house in the Hollywood Hills chosen
as a location is both visually interesting and gives a bit of "Rear
Window" flavor to the proceedings.
"The Anniversary Party" casts its audience between the Roses, average
folk pearing in at the shenanigans of the rich and famous. Leigh and
Cumming's actors' camp is an interesting exercise to watch, even though
ultimately the performers themselves seem to have gotten the lion's share
of the entertainment.
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